A 'Lens' Life

IN HOLLAND, photographs by Lucio Parise

2011-03-03T01:34:00.002+01:00

(sheep and art direction by Mauro Bottaro)

FLOREAL MOTIFS with PZ Silver Shade

2011-02-12T02:01:00.007+01:00

New start 2011 _ BACK TO BASICS #2

2011-02-09T22:51:00.005+01:00

Straight to the print, it is a nice feeling polaroid gives you. Almost instant. Almost instant photography.

New start 2011 _ BACK TO BASICS

2011-02-08T10:54:00.007+01:00

Musa ... MUSE

2010-04-06T22:28:00.004+02:00

physiognomy

2010-03-22T13:42:00.011+01:00

The assessment of a person's character or personality from their outer appearance, especially the face. In this perspective, inspired by an exhibition which I saw on Lombroso and those who considered it a science, I am studying and researching material on mug shots and criminal protrays to try to understand the prominent features of the face which give it character and its uniqueness.
For some physiognomy indicates that people's faces can indicate such traits as trustworthyness, social dominance and aggression, although no real connection was ever found. I find it fascinating, especially with all that is human cataloguing for pure archive purposes, as is the case for criminal mugshots, that the asrchives then fill up cabinets and drawers of real human exhistences. These collections sooner or later come out and will be interpreted in a more olystic manner. For this I have found the book "Least wanted, which is a true collection of hundreds and hundreds of mugshots taken throughout America.
This woderful colection which was also part of an exhibition, not only reveals the fascination for the poses and physical attitudes related to a long gone era before modern 21st century America, but also gives an insight into the features which distinguish us all.
The human features which belong to each individual, when photographed in such an "analytical" and schematic way, part of an infinite daily routine which is still perpetuating itself in this very moment, are freezed and become iconic. Iconic in the fact that the faces photographed for police purposed are liked and related to the crime, by the way the police records are kept and by the way they are archived.
Further more we learn and discover forcefully how the bidimensionality of photographs can totally dominate the features of a person, profiles and frontal points of view totally change the character and the feeling given by the subject. Beards, moustaches, but also hats, coats, ties etc. give the person a different meaning to who is looking at the images. This way, the supposed standardisation of the mugshot to serve archival purposes is anihilated, even when head holders and forced postures are imposed.
This is a reminder of the old british anthropology used during the colonial period. Measuring and sizing the subject. Looking to reveal the features which make up a character and personality, I find these collections extremely fascinating, and can truly be inspired, because walking the streets and sitting in bars wherever I find myself, I look at who is around me. I notice more and am more perceptive towards my fellow humans, beautiful and especially unique. Each carrying their story and inner-self on their faces and features, which, if looked at carefully, are not circumstantial but historical.

MAILINERS triptics

2010-03-15T15:39:00.023+01:00

Once again, looking through folders and under folders in my archive, I fished out a series of triptics I put together a few years back, when trying to rappresent the lives and daily routines of these down and out crack and heroin abusers in London Elephant and Castle area. They are people I followed for about a year, trying to live in their shadow. Day after day after day, they became so acustomed by my presence that they opened their lives to me ... or better, they ended up not noticing me any longer in their rooms, and most gruesome addiction driven intimacy.

The more I went on with this project, the more I realized that their actions, fixing and smoking, were only too easy to take and more difficult was actually to construct their "other" intimacy, their relations and their characters as human beings, which although influenced 100 per cent their addiction or "drugs career", was becoming more and more the part of them I wanted to show... So how could I do that without falling into the usual heroin users' imagery all too redundant and repetitive in so much work I had seen done by others, famous and not?

In that period of time I was strongly fascinated by a woman photographer, Jodie Bibier, who I had the rare luck of knowing in the period when she was living in London. She gave some tutorials which I followed and in one particular lesson she showed an interesting multimedia piece used for a campaign against violence on women in South Africa. She was using a square format, which I was exploring for my self as an alternative language for my photography, but put together different women's testimonials by running them in triptics with the voices of their narrative accounts.

This was a great teaching for me and it was extremely valuable as I was trying to put together the Mainliners story more than a year later. I joined images in triptics to tell these people's characters and environments, themselves and the stories they talked to me about. Details of their lives as well as places from which they depended and which constituted their hide outs.

Steve, Tracey, Del Darren and Madalinehave probably never seen each other, although they all live in the same neighbourhood. The world they live is very similar, because they are all heroin and crack users and their lives are driven by this habit. This “monkey” which they all carry on their backs has destroyed their relations with the society which sorrounds them, as well as their personal lives. Their daily routine evolves entirely around drugs and they cannot keep away from the damage which these do to them emotionally, physically and fi nancially. Staying with them day after day , I realized how they truly live a parallel life to their environments, in which they walk and act completely unnoticed and anonymously, almost as if they were invisible.

Steve and Tracy, also known as Ginger and Hammy, are always together, because the thing they care the most about is that if one of them gets arrested while scoring drugs, their dog Sooky would not be left alone. Steve has just turned 29 and injects in his groin both heroin and crack together, a practice called speedballing. This at least 6 times a day, on top of his prescribed methadone. His last 12 years have been out of home, without shelter untill 3 years back when he was assigned a place in a shelter hostel in Southwark. Recently when I asked him about the area in which he lives, he said to me, “If I have to be honest, it is difficult to get out of drugs when they are in your face.”

Del Boy and Darren have a very special relationship. Social services have tried to break this many times but without success. They have been dividing everything for the past 8 years, the carboard they lay on when they were sleeping rough and now a social housing fl at assigned to Del about 18 months ago . It is in such a state that they have ended up sharing the same bed in one of the rooms where they do everything. As meticulously as they divide their begging shifts and incomes they register all monetary outcomes which go on drugs. For the 3 times the dealer comes to their house, they note in their “drugs usage” log, as they have titled it, how much “brown “ and “white” they buy, on each round. This is adding up to an average of 2000 pounds a month, more than most people would earn on salaries.

Madaline has been clean from heroin for more than a year, but the signs of the heroin use are evident on her body and deep in her mind. She has had a heart attack, a trachetomy and when she decided to withdraw and go into detox she came close to having her leg amputated, because of an abscess, where she kept injecting, which was at a dangerous stage of infection. She is very proud of being clean now, but is tackling daily with depression and a sense of being lost, as well as all the grief and anger given to her by the rest of her family because of years of heroin abuse.

IMAGES AND MUSIC

2010-03-11T18:45:00.006+01:00

Here is something I have been meaning to do since a while, but have had no time.
Today a Sardinian friend of mine brought me some CD's of traditional music from the island, so I've been able to put this slide show together.

JUXTAPOSITION

2010-03-10T10:11:00.000+01:00

Cleaning up my archive to reorganise my website I found this really old image which I took with a silly little camera (Rollei 35s) whai I used to take everywhere with me and I was so pleased it still gives me the same feeling I got when I was there taking it.
I remember I was playing about trying to create frames within the frame - Telex Iran by Gilles peres is the absolute reference for this, although when I took this image I didn't even know Gilles Peres exhisted - Then the dog came next to me to get attention, cause there was some rivalry with the cat I think, and the shot just made itself... silly story but then the picture is so evoking because not only of the frame within frame trick but because of the juxtaposing content and the emotion this gives.... at least to me !

Akent' annos! Exhibition (Brussels)

2009-12-06T10:48:00.000+01:00

presentation and book-signing EAST-WEST (paris)

2009-12-06T10:38:00.001+01:00

at PARIS PHOTO Carrousel du
Louvre Paris Saturday, November 21, 2009

Featuring 'Time is Money' by Mauro Bottaro

The development toward a globalized world has progressed inexorably during the past 20 years – with borders blurring and countries and cultures converging. This makes it virtually impossible to identify the “Western world” anymore in any geographic sense. Is the West then only a dream? The photography book WEST looks for answers to this question, in the process revealing the multilayered facets of the phenomenon of globalization. Gathered together here are works by various photographers who set off on a quest to find the West, documenting their discoveries in disparate ways. Their investigations focus on subjects such as the myth of the cowboy, the life of Cambodian street gangs in the USA, and everyday dealings in London’s financial district. We are also given a glimpse of the world of allotment gardens in Vienna, and follow a dog named Pecorino on his travels through Europe. As a sequel to EAST, Regina Maria Anzenberger’s second volume of photographs is devoted not only to a geographic delineation of the West, but also to portraying the “Western idea” per se.

Photographers: Toni Anzenberger, Mauro Bottaro, Simone Casetta, Ulrich Eigner, Horst Friedrichs, Gianmaria Gava, Robert Haidinger, Lauren Hermele, Philipp Horak, Stuart Isett, Yadid Levy, Reiner Riedler, Richard Ross, Arabella Schwarzkopf, Annet van der Voort, Paolo Woods

TIME IS MONEY

Financial districts have been a recent annexes to modern cities in Europe and the world. Economics has been an integrated part of everyone's daily life and life span since the existence of Government and State, but as markets and production processes have become truly global and automated in every aspect so finance and “unreal” economics have stemmed out of reach.

Financial markets have truly been the heavy weights of national economies and the actors of these markets, consulting companies and corporate investment firms, have detached themselves from their surrounding environments. This is probably why all main countries in the West or First World have all given spontaneous rise to financial districts. London is the most important centre of finance and banking in Europe, and has in fact two areas where finance and the stock markets breath and are established. The traditional area surrounding the Bank of England the Stock Exchange and a more recent neighbourhood especially built to host all the world's most powerful and influential financial and banking corporations, Canary Wharf. Everyone refers to these two areas as the City, as if no other part of London would represent it more.

In these inner city's islands time is literally money and there is no other reason for people to be or go there if not to work in or in connection to the monolithic companies and banks of the City. In fact the glass buildings and impenetrable skyscrapers put the everyday City workers, who are like any other person, in a deeply contrast with what should be their environment. The contrast is overwhelming and natural as unnatural are these financial areas, which are only alive for money and creation of money in a form which is impalpable and virtual to most people. Economic gains from banking and financial instruments have proven to be virtual and borderline with reality and the real economy with the 2008 world economic crisis, where financial institutions can be said to have negatively influenced people's everyday life out of proportion. Financial districts in cities like London life a life of their own, which never stops. Their workers may have schedules and working hours, but the companies present in these environments never stop, following the markets 24 hours a day around the globe.